three goddesses chang'e, the goddess of the luo river and nüwa gather in the guanghan palace, affectionately close, wearing formal evening gowns, exquisite gowns, dancing together, like beauties in a noble boudoir, graceful and luxurious, poised in ten thousand ways. steady and dignified, cherished and solemn, under the moonlight, slow movements keep clear form, fast movements blur into ethereal motion, each figure casting two shadows, highly dynamic. a follow spotlight falls on the beauties' faces. photography style: canon eos-1d x mark iii, 70-200mm lens, f/5.6, panning shot with motion follow, side backlighting, cinematic light effects, crewdson-style foreground midground background layered exposure, hard sci-fi realism. a holographic guanghan palace floating in a glowing nebula, light-and-shadow architecture and a smooth glowing floor reflecting the dancers. the three goddesses' dark formal evening gown designs: chang'e's gown is deep blue with peony floral prints, the goddess of the luo river's gown is pale green with camellia prints, nüwa's gown is cream yellow with lily prints, the formal attire is refined and the floral patterns are exquisite. the goddesses have distinctive facial features, no deformed hands, well-formed fingers,.beneath the osmanthus tree in the toad palace, wu gang brings out osmanthus wine and pours it into small wine cups. wu gang and chang'e and the other goddesses each clearly hold a small wine cup in their hands, the cups clearly visible, their arms interlocked in the traditional crossed-arm toast, raising the cups to their lips and drinking from them, the wine cups touching their mouths.