character turnaround sheet, three views of the same man side by side, front view, three-quarter view, back view, full body from head to feet, equal height, same eye level, orthographic flat view, no perspective distortion, plain 18 percent neutral grey studio backdrop, even soft studio lighting, no floor shadow, no depth of field, professional character design sheet, concept art fan li at 88, late spring and autumn period china, 5th century bce, once known as lord tao zhu, immensely wealthy yet self-effacing, calm, unreadable. 165cm, 6.5 heads tall, narrow shoulders, thin limbs, spine straight but neck slightly forward, natural a-pose, arms 45 degrees from body, palms inward, feet shoulder width. deep forehead creases, frown lines, sunken eye sockets, loose drooping upper eyelids, deep nasolabial folds, prominent cheekbones, hollow cheeks, sagging jaw, thin dry skin with age spots, white hair, white sparse eyebrows, three sparse white beard strands below the chin. knobby arthritic knuckles, thick yellowish nails, prominent hand veins, wasted muscle at thumb base. white hair in a topknot tied with blue-black silk cord, wrapped in dark charcoal silk cloth, cloth ends hanging at the back of the head. half lowered eyelids, gaze calm as an old well, unfocused, seeing through everything without sharpness, mouth straight and closed, no joy no anger. three layers of late spring and autumn scholar official dress: inner plain hemp cross collar robe, middle silk floss padded robe showing a sliver at the collar, outer charcoal black fine plain silk long robe, one piece cut, cross collar right lapel, wide sleeves with drooping cuffs, hem at ankle, plain woven silk sash, plain bronze belt hook without inlay, plain hemp trousers, thick soled wooden clogs with hemp upper, matte fabric almost black in shadow, faint diamond and geometric meander damask visible only in light. a chipped jade jue hung on an old silk cord inside the sash, half hidden under the robe, only the broken edge showing through a seam, that broken edge polished glossy from forty years of touching, the single glossy highlight against matte cloth. photorealistic pbr, subsurface scattering skin, visible fabric weave and wood grain, 8k, neutral grading