professional character reference sheet, technical turnaround of one chinese dunhuang apsara, tang dynasty buddhist art, semi-realistic, matte mineral pigment texture on costume only. identical in every panel: face: young chinese woman, early twenties, full oval face, fair warm skin, delicate moth eyebrows, long phoenix eyes with lowered lids, straight nose, small cinnabar lips, slightly long earlobes, small vermilion huadian between brows, subtle blush, serene merciful expression. hair: black high bun, ornate tang gold crown with buyao pendants and turquoise, beaded chains, hanging ribbons. costume: azurite-blue dominant dunhuang apsara dress, white inner ru, malachite accents, tang banbi half-sleeve, chest-high qixiong ruqun, gold scrolling-vine and honeysuckle embroidery, layered translucent skirt above ankles, gold-chain jade collar necklace, exactly two silk pibo ribbons resting symmetrically down both arms, ends tucked into waist sash. feet: unshod in every view, no footwear, toes and ankles visible. layout: top row four full-body views, evenly spaced, clean panels, uniform framing, consistent head height and scale: front, left profile, back, three-quarter. head aligned with body direction, never turned to camera. unshod feet on one ground line. pose: relaxed a-pose, arms at sides slightly away from body, shoulders level, spine straight, slight downward head tilt only in front and three-quarter views. bottom row six detail panels, same scale, no full-body figures: face with huadian; crown and high bun; gold-chain jade necklace; banbi bodice embroidery; layered skirt hem; pibo woven texture. color: azurite blue dominant, malachite green secondary, cinnabar only for sash/lips/huadian, ochre and antique gold details, white only for inner ru, weathered mural texture, matte mineral finish. plain white background, even studio light, consistent light direction, sharp details, no text, no labels.