photography style: canon eos-1d x mark iii camera, aperture f/5.6, side backlighting, cinematic lighting, cinematic-grade light effects, golden ratio composition, crewdson-style foreground, midground and background layered exposure, combined with 2.8f, 5.6f, 11.2f and 16f aperture exposure stacking, layered and aperture overlay, hard sci-fi realism. a new crescent-shaped chinese moon palace space station floats in orbit, its dark skeletal structure in the foreground, cold white and pale blue lights flickering along its corridors. in the midground, the goddess chang'e as a maintenance worker welds outside the hull: she wears a coarse cloth nicotine-colored coverall with rolled-up sleeves, a worn tool belt at her waist, her hair tied in a bun at the back of her head, a translucent virtual visor on her face. her posture is confident, calmly striking and holding the welding arc, the arc light sparkling (the station interior is brightly lit by fluorescent daylight lamps, not dark), the 45-degree arc light illuminating chang'e's face, outlining a three-dimensional sculptural beauty of labor. in the background, a vast glowing galactic nebula band and a touch of warm orange earth arc in the lower left corner. at the space station's outer hull windows, modern tech engineers are peering out. a large spacecraft and a return capsule cut diagonally across the milky way, the nebula and the space station reflecting and enhancing each other. close-up portrait shot of the character, a lighting technician's large lamp, clean neutral white balance, cool tones with a tiny warm accent from earth, sharp details, no noise.