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static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

远景构图，局部打光，明暗对比，姿态放松，20岁俄罗斯女子，卷曲的短发，深灰色卫衣，内搭白色衬衫黑色领带，腰间系着格子衬衫，头后仰，浅笑

远景构图，局部打光，明暗对比，姿态放松，20岁俄罗斯女子，卷曲的短发，深灰色卫衣，内搭白色衬衫黑色领带，腰间系着格子衬衫，头后仰，浅笑

一个可爱的亚洲女孩在自拍，她穿着经典的水手风格jk制服，包括白色衬衫、藏青色领带和格子百褶裙。她有着略带波浪的长发和清新自然的妆容，对着手机镜头露出灿烂开心的笑容，另一只手比出可爱的v字手势。构图模仿了智能手机前置摄像头的视角，带有轻微的鱼眼镜头效果。背景是她舒适的卧室，散落着书籍和可爱的毛绒玩具，营造出逼真的氛围。光线是柔和的室内自然光。色彩明亮清新。照片风格模拟了智能手机自拍，带有轻微的皮肤磨皮和美颜滤镜效果。

一个可爱的亚洲女孩在自拍，她穿着经典的水手风格jk制服，包括白色衬衫、藏青色领带和格子百褶裙。她有着略带波浪的长发和清新自然的妆容，对着手机镜头露出灿烂开心的笑容，另一只手比出可爱的v字手势。构图模仿了智能手机前置摄像头的视角，带有轻微的鱼眼镜头效果。背景是她舒适的卧室，散落着书籍和可爱的毛绒玩具，营造出逼真的氛围。光线是柔和的室内自然光。色彩明亮清新。照片风格模拟了智能手机自拍，带有轻微的皮肤磨皮和美颜滤镜效果。

金发波浪低马尾的芭比娃娃，身穿黄色格子连衣裙和白色帆布鞋，躺在翠绿的学校草坪上阅读爱情小说，旁边放着花卉图案背包，远处有其他学生娃娃聊天，樱花盛开，蓝天白云，柔和的粉彩色调，超写实细节，浅景深，自然光，微距镜头，宁静氛围，微笑表情，书本特写，花瓣飘落，阳光斑驳，

金发波浪低马尾的芭比娃娃，身穿黄色格子连衣裙和白色帆布鞋，躺在翠绿的学校草坪上阅读爱情小说，旁边放着花卉图案背包，远处有其他学生娃娃聊天，樱花盛开，蓝天白云，柔和的粉彩色调，超写实细节，浅景深，自然光，微距镜头，宁静氛围，微笑表情，书本特写，花瓣飘落，阳光斑驳，

芭比娃娃穿海军蓝校服和格子裙，站在浅蓝色储物柜前，往门上贴星星贴纸，手持粉色水杯，对旁边朋友娃娃（棕发紫毛衣）微笑，走廊储物柜排列，布告栏海报背景，温暖室内光，q版比例，8k高清，广角镜头，柔焦，高饱和度，活泼色调，闺蜜互动，可爱学院风，

芭比娃娃穿海军蓝校服和格子裙，站在浅蓝色储物柜前，往门上贴星星贴纸，手持粉色水杯，对旁边朋友娃娃（棕发紫毛衣）微笑，走廊储物柜排列，布告栏海报背景，温暖室内光，q版比例，8k高清，广角镜头，柔焦，高饱和度，活泼色调，闺蜜互动，可爱学院风，

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar stands resolutely on the bank of the upper yellow river, hands gripping a long knife—blade glows with gradient mineral sheen (cinnabar red fading to bronze), hilt adorned with tiny agate inlays. at his feet, stacked mani stone piles carved with traditional tibetan patterns, textured with rough ochre and lapis lazuli mineral powder (granular like ancient cliff murals, showing natural weathering marks). distant background: low-slung dege-style tibetan dwellings with earthen walls, layered in yellow ochre and umber, cracked mineral patina covering the surface (echoing the aged texture of the reference artwork). the yellow river curves in a sweeping arc around gesar, water rendered in translucent agate-glaze texture—layered mineral strata inside, catching light to show luminous ripples (matching the iridescent sheen of the horse’s mane in the first poster). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, metallic like rock art’s gold foil). texture: all elements in *rock painting style*—armor on gesar’s body has stacked mineral pigment layers (malachite green base with cinnabar red highlights), riverbank soil shows earthy mineral granulation, dwelling roofs have rough clay texture. composition: central focus on gesar, yellow river guides sight from foreground to distant dwellings (creating a sense of journey extension), left-right balance with mani stones and river curves. lighting: warm golden-hour light slants from the top right, casting long, soft shadows under gesar and mani stones—enhancing the three-dimensionality of rock painting’s mineral layers. art style: fusion of tibetan thangka’s bold, clean linework + chinese rock painting techniques (natural mineral pigment stratification, granular texture, glaze-like translucency), fully echoing the rock art texture of the first poster. ultra-detailed: knife hilt inlays, mani stone carvings, river ripple layers, dwelling wall cracks.

乐高幼儿园用餐区，柔和的粉色和紫色积木小桌，白色乐高盘子和迷你杯子，绿色蓝色矮椅上的小乐高人仔，教师人仔分发橙色红色积木水果，墙上黑色积木数字时钟，柔光环境，明亮整洁氛围，中景拍摄，微距镜头，高饱和度色彩，温馨欢乐，对称构图，细节丰富，无阴影，定格动画风格

乐高幼儿园用餐区，柔和的粉色和紫色积木小桌，白色乐高盘子和迷你杯子，绿色蓝色矮椅上的小乐高人仔，教师人仔分发橙色红色积木水果，墙上黑色积木数字时钟，柔光环境，明亮整洁氛围，中景拍摄，微距镜头，高饱和度色彩，温馨欢乐，对称构图，细节丰富，无阴影，定格动画风格

梅花盛开，东方水墨意境，花朵边缘鎏金，枝条纤细带鎏金纹路，雪中傲立，淡雅柔光，浅景深，特写镜头，中国传统画风，温暖与冷冽对比，高贵典雅，宁静深远

梅花盛开，东方水墨意境，花朵边缘鎏金，枝条纤细带鎏金纹路，雪中傲立，淡雅柔光，浅景深，特写镜头，中国传统画风，温暖与冷冽对比，高贵典雅，宁静深远

梅花绽放，金箔岩彩画风格，东方意境，祥云环绕，鎏金点缀，梦幻氛围，对角线构图，细腻笔触，暖金色调，柔和光影，花瓣轻盈，枝干苍劲，传统元素，华丽细节，朦胧背景，禅意深远，宁静优雅，高贵神秘，浮世绘影响，工笔画法

梅花绽放，金箔岩彩画风格，东方意境，祥云环绕，鎏金点缀，梦幻氛围，对角线构图，细腻笔触，暖金色调，柔和光影，花瓣轻盈，枝干苍劲，传统元素，华丽细节，朦胧背景，禅意深远，宁静优雅，高贵神秘，浮世绘影响，工笔画法

梅花盛开，金箔岩彩画，祥云缭绕，鎏金点缀，东方意境，梦幻风格，工笔重彩，极简构图，暖金色调，细腻纹理，柔和光线，静谧氛围，高贵典雅，仙气飘渺，装饰性笔触，传统美学

梅花盛开，金箔岩彩画，祥云缭绕，鎏金点缀，东方意境，梦幻风格，工笔重彩，极简构图，暖金色调，细腻纹理，柔和光线，静谧氛围，高贵典雅，仙气飘渺，装饰性笔触，传统美学

low - angle (camera tilted slightly upward, heightening oppressive feeling + intimate tension), 8k ultra - high definition, semi - realistic. a stunning oriental beauty with beautiful eyes. one hand is crooking a finger towards the camera, full of provocation. head tilted slightly upward, chin lifted gently, with a sneering look of disdain on her face. she has an hourglass figure and wears an exquisite, lightweight ancient long gauze skirt in off - white color. the skirt is adorned with black patterns and delicate embroidery, which gives a sense of lightness. the sheer, lightweight gauze subtly reveals the skin. a pink belt with a butterfly knot cinches her waist, further accentuating her hourglass figure. along with a kezi (a type of traditional chinese undergarment) as thin as a cicada's wing. she has jet - black long hair and wears an exquisite hair accessory. in a room in the style of china's tang dynasty, there are light - colored wooden columns, pastel - colored silk curtains, an elegant and primitive - looking bed, and various classic furniture. soft, warm - toned light fills the room, creating a cozy and pleasant atmosphere. the light focuses on the character, creating a strong contrast of light and shadow, enhancing the sense of mystery. with ultra - high details, obvious physics effects, and excellent skin texture.

low - angle (camera tilted slightly upward, heightening oppressive feeling + intimate tension), 8k ultra - high definition, semi - realistic. a stunning oriental beauty with beautiful eyes. one hand is crooking a finger towards the camera, full of provocation. head tilted slightly upward, chin lifted gently, with a sneering look of disdain on her face. she has an hourglass figure and wears an exquisite, lightweight ancient long gauze skirt in off - white color. the skirt is adorned with black patterns and delicate embroidery, which gives a sense of lightness. the sheer, lightweight gauze subtly reveals the skin. a pink belt with a butterfly knot cinches her waist, further accentuating her hourglass figure. along with a kezi (a type of traditional chinese undergarment) as thin as a cicada's wing. she has jet - black long hair and wears an exquisite hair accessory. in a room in the style of china's tang dynasty, there are light - colored wooden columns, pastel - colored silk curtains, an elegant and primitive - looking bed, and various classic furniture. soft, warm - toned light fills the room, creating a cozy and pleasant atmosphere. the light focuses on the character, creating a strong contrast of light and shadow, enhancing the sense of mystery. with ultra - high details, obvious physics effects, and excellent skin texture.

watercolor painting, campus scene, autumn trees with orange and red leaves, modern building, people walking on the campus, watercolor style

watercolor painting, campus scene, autumn trees with orange and red leaves, modern building, people walking on the campus, watercolor style

新中式风格结合印象派风格，但笔触更细腻，纹理精致。色彩明快但饱和度偏低，接近自然色。迎面仰视角度。风吹起了轿子侧面窗子的帘子，皱褶流畅。透过侧面窗户，能看到里面坐着一位清朝贵妇，侧身端庄，一眼万年，貌美，温婉，目不斜视，眼看前方，柳眉，细长丹凤眼。

新中式风格结合印象派风格，但笔触更细腻，纹理精致。色彩明快但饱和度偏低，接近自然色。迎面仰视角度。风吹起了轿子侧面窗子的帘子，皱褶流畅。透过侧面窗户，能看到里面坐着一位清朝贵妇，侧身端庄，一眼万年，貌美，温婉，目不斜视，眼看前方，柳眉，细长丹凤眼。

对称，怪诞童话，深蓝背景，重构，弥散光学，低饱和度，色调温和而富有梦幻色彩，空灵，柔和，笔触感，最美丽的混乱形式，充满想象的构图，极简，古典，枯金色，黑，灰白，颗粒全息打印，釉彩，3d，极致华丽，故事感插画，天野喜孝风，恶魔

对称，怪诞童话，深蓝背景，重构，弥散光学，低饱和度，色调温和而富有梦幻色彩，空灵，柔和，笔触感，最美丽的混乱形式，充满想象的构图，极简，古典，枯金色，黑，灰白，颗粒全息打印，釉彩，3d，极致华丽，故事感插画，天野喜孝风，恶魔

“画面整体呈现深邃且富有空灵感的视觉效果；背景以深绿色为主色调，表面布满细腻星尘感（类似星空材质）；核心展现柔和的女性时装曲线美，整体氛围低调、沉稳又不失精致，

“画面整体呈现深邃且富有空灵感的视觉效果；背景以深绿色为主色调，表面布满细腻星尘感（类似星空材质）；核心展现柔和的女性时装曲线美，整体氛围低调、沉稳又不失精致，

该半写实画风，鲜艳多彩，天马行空，古灵精怪，衣着立体清晰，面容惹人怜爱，穿过膝短裙之写实风格温柔可爱金色秀发紫色瞳孔美少女，被转换为极富安第斯高原民族风情，波利尼西亚文明综艺风情，格萨尔王史诗要素，西非马里帝国图腾风貌，土库曼骑士面具，图瓦萨满祭祀艺术风格，图片构图采用广景宽屏视角，图片尺寸深远辽阔大气，她短裙不同层级得体现垂直海拔高度差异与各地貌动植物及附带民族图腾风建筑式机械之不同，图片构图采用广景宽屏视角，图片尺寸深远辽阔大气，短裙不同层级得体现垂直海拔高度差异与地貌气植被候不同，原文—在云鑫族女性中流行一种人体艺术形式，透过设置裙子对自己展开自动捆绑模式，任由裙子将自己活生生捆绑成一个弹性物件，调动和激活自己体内的软体动物祖先之dna脉，在裙子的捆绑和拉扯作用力下，像盘卷成塔的蟒蛇和回旋飘动的海星一样盘卷四肢，扭动躯体，实现如梦似幻的舞蹈效果。

该半写实画风，鲜艳多彩，天马行空，古灵精怪，衣着立体清晰，面容惹人怜爱，穿过膝短裙之写实风格温柔可爱金色秀发紫色瞳孔美少女，被转换为极富安第斯高原民族风情，波利尼西亚文明综艺风情，格萨尔王史诗要素，西非马里帝国图腾风貌，土库曼骑士面具，图瓦萨满祭祀艺术风格，图片构图采用广景宽屏视角，图片尺寸深远辽阔大气，她短裙不同层级得体现垂直海拔高度差异与各地貌动植物及附带民族图腾风建筑式机械之不同，图片构图采用广景宽屏视角，图片尺寸深远辽阔大气，短裙不同层级得体现垂直海拔高度差异与地貌气植被候不同，原文—在云鑫族女性中流行一种人体艺术形式，透过设置裙子对自己展开自动捆绑模式，任由裙子将自己活生生捆绑成一个弹性物件，调动和激活自己体内的软体动物祖先之dna脉，在裙子的捆绑和拉扯作用力下，像盘卷成塔的蟒蛇和回旋飘动的海星一样盘卷四肢，扭动躯体，实现如梦似幻的舞蹈效果。

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

`static poster for "impressions of dege" competition, theme: gesar epic - journey. core elements: gesar’s powerful silhouette holding a long knife (hilt inlaid with tibetan script "本源之躯", rendered in *rock painting mineral pigment texture* with stacked layers of cinnabar and malachite, glowing with gem-like luster). standing on the bank of the upper yellow river — waters crafted with *translucent agate-glaze texture* (mimicking rock art’s iridescent mineral glaze). mani stone piles (carved with "om mani padme hum") at his feet, textured with granular mineral powder (ochre, lapis lazuli) for a rough, aged rock art finish. distant background: dege-style tibetan dwellings with *earthen rock-painting walls* (layers of yellow ochre + umber, showing cracked mineral patina like ancient cliff murals). color palette: deep cinnabar red (cmyk 0,100,100,20) + lapis blue (rgb 61,90,161) + gold leaf accents (hex #ffd700, with metallic sheen of rock art’s gold foil). texture: knife blade with gradient mineral sheen (cinnabar red fading to bronze) + river water with *glaze-like translucency* (layered, luminous like fired ceramic) + mani stones with rough mineral granulation. composition: central symmetry (gesar at center, yellow river curving left-right in a sweeping arc, guiding sight toward distant dege dwellings). lighting: dramatic golden-hour light casting long shadows, enhancing rock art’s luminous mineral layers. art style: fusion of tibetan thangka’s bold linework + *chinese rock painting techniques* (mineral pigment stratification, granular texture, glaze-like translucency), with ultra-detailed knife patterns, mani stone carvings, and river ripple textures in natural mineral finish.

匀称男孩，漆黑房间，头顶光束，伸手抓光，表情绝望，黑暗之手环绕纠缠，高对比度，伦勃朗光，暗黑风格，35mm镜头，低角度拍摄，冷色调，动态模糊，悬浮尘埃，超现实主义，压抑氛围，恐惧情绪。

匀称男孩，漆黑房间，头顶光束，伸手抓光，表情绝望，黑暗之手环绕纠缠，高对比度，伦勃朗光，暗黑风格，35mm镜头，低角度拍摄，冷色调，动态模糊，悬浮尘埃，超现实主义，压抑氛围，恐惧情绪。