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documentary photography, shot on 35mm film, kodak portra 400, natural available light, natural daylight, soft diffused daylight from window, 35mm film grain, film grain overlay, subtle vignetting, cinematic color grading, film-level color grading, muted warm tones, full body shot, white background, a 17-19 year old ming dynasty chinese girl, oval face, east asian facial features, eyebrows like distant mountains, light pink lips, slightly upturned eyes, hair in simple traditional chinese bun held with wooden hairpin, cloth headband across forehead, red string bracelet on right wrist, wearing light-colored satin short ao (cross-collar narrow-sleeve short jacket) with mamian skirt (ming dynasty horse-face skirt), light-colored sleeveless bijia (ming dynasty vest) over it, plain embroidered cloth shoes, standing naturally with hands gently clasped in front of her, shy gentle smile, delicate and resilient expression, full body visible from head to toe, standing on white seamless background, natural soft daylight illumination, no shadows, no props, no scenery, chinese features only, no foreign elements, no western features, no hanfu ruqun, no modern elements, no contemporary clothing, no western clothing –no background, no scenery, no props, no other people, no modern elements, no foreign elements, no western features, no hanfu, no anime, no illustration, no painting写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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一幅画,描绘了一头黑色公羊,头戴色彩斑斓的头饰,背景为红色,维克托·恩盖!cmyk调色板,皇后塔罗牌,神灵leesha hannigan,白羊座火热的ram塔罗牌 ( ( victo ngai) ),victo ngai!柔和的色彩,中国神话,victo ngai,东方艺术风格,victo ngai风格,victor ngai,victo ngai精细纹理,详细的水粉画,波斯民俗插图,传统民间艺术风格,victo ngai,虚幻引擎,奥里与迷失之森林,毁灭性的智慧山羊,维克托·奈!柔和的棕褐色颜色,十二生肖,魔鬼塔罗牌,victo ngai和tristan eaton,半山羊,塔罗牌皇后,中国传统艺术,水粉细画,james jean和victo ngai,丝网,波斯民间故事艺术风格,塔罗牌设计,动物插图,
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oc渲染器, 世外桃源, 武侠,oriental concept painting, ancient chinese multi‑eaves pagoda half hidden in thick morning mist, canyon valley, mirror‑still lake water with reflection, ancient stone lantern and waterside pavilion by shore, forest trees on mountainside, silhouettes of flying birds, golden crepuscular rays piercing fog, soft diffused morning light, strong atmospheric perspective, ethereal quiet zen atmosphere, desolate wuxia mood, low saturation, ochre and ink‑gray palette, cinematic wide‑screen composition, cinematic depth of field, concept art, 8k ultra‑detailed
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冰川中心放产品,空灵超写实,简洁元素,冷色调,长焦镜头,顶光,静止,宁静,超写实风格
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不改变图中角色的造型体型设计比例,只把画风改成欧美漫画风格,增加体块感跟线条感。增加细腻均匀锻造细微划痕、轻微长期穿戴磨损肌理,上衣领子处增加拉链,优化衣服扎线线条的合理性,调整这个光线的一致性
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创作一幅唐代佛教法脉东传路线古地图,仿唐代敦煌绢画与古代舆图风格。泛黄绢本,水墨淡彩,赭石、朱砂、石青、石绿、金粉配色。画面覆盖印度、中亚、西域、吐蕃、南海、东南亚、中国、朝鲜半岛、日本。陆上丝绸之路用金色实线,海上航线用朱砂虚线。沿途绘佛塔、僧人、骆驼商队、帆船、海浪纹、山脉、云纹、罗盘。古地图平面俯瞰构图,无现代国界,无现代地名,无英文字母,无 3d,高清,3:2。
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logo design for a water pump brand called "shuangheng". the chinese character "恒" is the main element. the left radical "忄" is replaced by two symmetrical water wave arcs. the right part "亘" is solid and square. below the character is a horizontal water line. deep blue gradient. minimalist, modern, industrial. white background. vector style.
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3d国漫次世代仙侠cg风格,虚幻引擎5制作,ue5 nanite高精度模型,lumen真实全局光照,pbr物理材质,8k超高清电影画质,电影级摄影镜头,真实景深效果,体积云雾,丁达尔光束,真实自然光影,东方神话世界观,宏大史诗氛围,国风美学设计,精致细腻材质表现,真实皮肤纹理,毛发细节,布料物理动态,金属与玉石材质真实反射,复杂东方纹样,次世代游戏cg质量,电影概念设计级画面,画面干净,无文字,无水印,无畸变,16:9横版构图 男性角色设计,杨戬,东方神话司法天神,28岁东方俊美男性,身高188cm,身材修长挺拔,剑眉星目,冷峻坚定的眼神,黑色长发束起,少量碎发自然垂落,面部轮廓立体,东方古典美男子气质。 身穿黑银色玄铁神甲,战甲覆盖肩膀和胸口,表面刻有古老东方神纹,银色金属边缘,黑色披风随风飘动,腰间佩戴玉饰,手持三尖两刃刀。 三尖两刃刀造型威严,黑色玄铁枪身,金色神纹流动,刀刃锋利反射冷光。 站立于九重天云海之上,背后天宫若隐若现,神光环绕,战神气场。
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45° 等轴俯视角,无 ui,写实粗粝 pbr 材质,8k,电影构图。黎明,云海之上的武当金顶太和宫,多层道教建筑群。 视觉中心:庭院中央,山体开凿的大型嵌入式石龛,太和宫结构一体,石龛、宫墙、台基、石阶、供台同源山岩,雕刻尺度匹配周边建筑。龛内老君浅浮雕与岩壁无缝融合,法相庄严,云浪袍服,浮雕不高于殿宇。一体凿刻玄螭石龙,半嵌基座,昂首长啸,龙身环绕石龛,爪搭龛沿,鳞甲深刻,比例合理。岩石、衣褶、龙身、台阶侧壁刻小篆道德经,局部覆苔藓,石材风化、烟熏质感统一。原生石供台衔接月台,居中安放带云雷星纹古青铜鼎,布满铜锈,中轴线对齐,礼器尺寸写实。 比例约束:庭院、石板路、台阶、门洞、殿宇尺度统一。白发老道为正常成人身高,略高于一级石阶,肩宽匹配石板与道路宽度;道路可多人并行,老道远小于建筑与石龛,双脚落地,透视、接触阴影正确。 微特效:青铜鼎升起圣烟,沿衣纹、龙身、经文沟槽流动;老君面部、龙首、经文凹槽微弱暖光,无强光。 文化基调:正统道教圣地,宫观以圣龛为核心,神像、石龙、经文、礼器构成古老仪式空间。 场景道具:青铜香炉、赑屃碑、烛台、丝绸幡旗、浮雕木门。中景殿宇、山门、回廊、拱门、钟鼓楼、露台。背景云海、雾山、瀑布、雾中松林。金色体积光照亮琉璃瓦。次要焦点:白发老道,灰蓝道袍长须,手扶青铜剑,立于龛旁。冷灰蓝主色调,暖金高光,肃穆神秘。
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不改变图中小丑角色的造型体型设计比例,只把画风改成欧美漫画风格,增加体块感跟线条感。增加细腻均匀锻造细微划痕、轻微长期穿戴磨损肌理,上衣领子处增加拉链,优化衣服扎线线条的合理性,调整这个光线的一致性
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 22-25 year old former coastal fisherman, compact wiry build, deeply sunburned dark skin, gray-blue eyes like sea water, high cheekbones, thin lips, short messy hair, wearing rough hemp short tunic (短褐 - coarse hemp short jacket + trousers + leg wraps), barefoot with woven rope bracelet on wrist, shell amulet necklace around neck, standing with relaxed fisherman posture, weathered intense expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu, no modern elements写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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[character:e-19] 雌性类人异星生命体,外表年龄约20岁, 纤细匀称体型,身高约165cm, 淡粉色皮肤(黎明云层色),皮肤有珠母贝光泽, 粉色长发及腰,发丝极细,悬浮中缓慢漂拂, 淡金色竖瞳,虹膜有微小金斑缓慢移动, 眼白极淡银灰色,睫毛短密近乎透明, 耳廓略长无耳垂,耳后有极淡金色鳞状纹理, 唇色淡玫瑰,唇面有珠光, 手指细长指节不明显,手背有极细浅金色脉络, 脚踝有一圈极细暗青色纹路, 身着单层白色素袍,无领无袖,近乎半透明, 赤脚,无任何配饰, 悬浮姿态,双臂自然垂落,头微低, 眉宇间有居高临下的静。 consistent appearance, same person, maintaining identity
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 25-28 year old former huizhou merchant clerk, stocky build, round face, small sharp eyes, high nose bridge, calculating smile, wearing a skull cap (瓜皮帽), wearing light blue short jacket (交领右衽) with cloth shoes, abacus with brass beads at waist, old silver ring on finger, money pouch at waist, standing with arms crossed, cunning intelligent expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu, no modern elements写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 28-32 year old former ming navy petty officer, tall lean build, broad shoulders, diagonal scar on left cheek, hawk nose, sharp eagle-like eyes, square jaw, hair tied with hair crown (束发冠), wearing dark cyan duanda (短打 - cross-collar short jacket + trousers + leg wraps), old military boots, weathered face with battle scars, old naval saber at waist, left hand missing two fingers, standing at attention posture, military stance, serious determined expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu, no modern elements写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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photoreal feature-film character still of an original biomechanical armored male protagonist, organic streamlined design with a warframe-like aesthetic, vertical 3:4, one character, full-body framing with the closed helmet, both feet and entire weapon visible. camera 1.1 meters high, 50mm lens looking slightly upward, three-quarter pose; the blade extends diagonally beside his body with margin around both ends, approximately 30 percent gray-blue sea-mist background. the instant transformation is complete, and his right hand has just fully drawn the weapon. he remains approximately 1.85 meters tall, retaining the same lean athletic adult proportions, shoulder-to-waist ratio and limb lengths. silver-white ceramic armor interlocks with graphite-black tendon-like joint layers, plates following muscular and skeletal contours; blade-shaped shoulder plates, a tapered armored waist, segmented shin plates and a streamlined spinal structure. close-fitting armor with credible thickness. a completely enclosed helmet has a backward-extending crest and exactly two narrow cyan-blue optical slits. head, face, hands, every finger segment, ankles and both feet are fully covered; only graphite-black joint material appears between ceramic plates. the original sunglasses and swim shorts remain entirely enclosed beneath the armor and never appear on its exterior. the armored form remains through the ending. his right hand firmly holds the same single “boundary blade,” with a contracting spatial vortex on his right side. a 1.4-meter blade and 30-centimeter grip, slender, subtly curved and single-edged; silver-black metal with fine aged scratches, flowing cyan-blue patterns along the spine, clearly constructed grip and guard, no scabbard, no weapon in his left hand. cyan-blue dimensional energy originates from an inset chest core, right-hand knuckles and sword guard, tightly crawling and winding along armor seams, spine, ankles and blade. dense black-ink filaments trail the light paths, their edges breaking into dry-brush gaps, interwoven with a few fine gold strands. outward emission forms slender gold-and-cyan tracks and wet-brush black-ink tails, preserving readable armor and weapon silhouettes. cool-gray environmental light defines the ceramic volume; cyan emission casts localized reflections onto nearby plates, joints and blade metal. arri alexa mini lf, 50mm optical rendering, subtle fine film grain, practical creature-suit realism and feature-film biomechanical materials; subtle ceramic roughness, flexible graphite-black joint fibers, overlapping plates, microscopic blade scratches, grounded contact shadows and restrained volumetric light.
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 20-22 year old ming dynasty coastal fisherman, square face, thick eyebrows, defined jawline, left ear pierced with ring, hair covered with cloth wrap (裹头布), wearing dark cyan duanda (短打 - cross-collar short jacket + trousers + leg wraps), straw sandals, cloth bag at waist, standing with one hand resting on hip, confident yet gentle expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu changshan, no modern elements写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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上帝视角俯瞰赛博朋克未来东方古城,完整的中式古城池格局,城墙与护城河环绕,棋盘式街巷布局,成片的飞檐古建筑屋顶, 每片屋顶都点缀着霓虹灯带,城市中心矗立着赛博风格的古风高塔,全息投影的巨型东方巨龙盘旋在城市上空, 远处是层层叠叠的赛博摩天楼群,空中布满飞行载具的光轨,雨夜中的城市通体散发霓虹光晕, 体积雾,大气透视,8k卫星级画质,超宏大场景,史诗感,电影级运镜,细节丰富的城市肌理
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photoreal cinematic character still of an adult man, vertical 3:4, one person, full-body composition showing the complete reclining chair. camera approximately 1.2 meters high, 50mm lens, three-quarter view from beside and slightly in front of the chair, softly defocused wooden decking in the foreground and approximately 30 percent surrounding ocean and atmospheric space. a man about twenty-eight years old, 1.85 meters tall, lean and firmly athletic, natural shoulder, back and abdominal definition, warm wheat-toned skin, short black hair brushed backward, a clean jawline, dark-brown eyes and a small old scar at the outer end of his right eyebrow. black sunglasses, with the eyebrow scar still discernible above the frame. he has just turned his head slightly toward something outside the frame while remaining relaxed against the chair, shoulders lowered, one hand resting on an armrest, legs naturally extended, calm facial composure. his only garment is a pair of ink-navy swim shorts with believable fabric, waistband and seams. barefoot, carrying no weapon. a simple reclining chair on a seaside wooden deck, softly blurred ocean and railing beyond. afternoon daylight from above one side, warm reflected fill from the decking, natural skin color, readable dark shorts and black sunglasses with physically credible environmental reflections. arri alexa mini lf, 50mm optical rendering, subtle fine film grain, real actor and practical clothing; skin pores, fine natural hair, natural tonal variation, hair reflections, woven shorts, wood grain and believable chair deformation under his weight.
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 17-19 year old ming dynasty peasant girl, oval face, eyebrows like distant mountains, light pink lips, upturned eyes, hair in simple bun with wooden hairpin, cloth headband (遮眉勒), red string on right wrist, wearing pink satin short ao (明代短袄) with mamian skirt (马面裙), light-colored bijia (比甲) vest over it, embroidered cloth shoes, standing naturally with hands gently clasped in front, shy smile, soft gentle expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu ruqun, no modern elements写实纪录片质感,电影级调色,35mm 胶片颗粒,自然可用光,明代中叶考据, 无现代元素
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加强原图细节像素,把原图放大,可用于打印
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photorealistic, shot on arri alexa, 35mm lens, film grain, full body shot, white background, a 17-19 year old ming dynasty peasant girl, oval face, eyebrows like distant mountains, light pink lips, upturned eyes, hair in simple bun with wooden hairpin, cloth headband (遮眉勒), red string on right wrist, wearing pink satin short ao (明代短袄) with mamian skirt (马面裙), light-colored bijia (比甲) vest over it, embroidered cloth shoes, standing naturally with hands gently clasped in front, shy smile, soft gentle expression, full body visible from head to toe, studio lighting, even soft light, white seamless background, no shadows, no props, no scenery –no background, no scenery, no props, no other people, no hanfu ruqun, no modern elements
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末日城市废墟全景,第一人称透过缺口视角,宽银幕画幅,空间纵深感,近景暗角景深模糊,崎岖碎石废墟,坍塌建筑残骸,远景雾中高楼剪影,逆光丁达尔效应,高对比电影影调,冷暖交织低饱和色调,ue5写实质感,8k分辨率,胶片颗粒,飘浮余烬尘埃,史诗废土悲壮氛围。
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原比例造型小丑,欧美漫画风格,强体块感,利落线条感,锻造细微划痕,穿戴磨损肌理,上衣领拉链,规整扎线,统一柔和漫射光,高饱和色块,粗黑轮廓线,写实肌理。
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竖版3:4,国风厚涂,敦煌壁画质感,幽深古山谷涧,蔓延葛藤,萋萋葛叶,青绿铺谷,淡雾朦胧,远山隐现,矿物叠染,石绿石青赭石,粗粝肌理,龟裂纹斑驳,低饱和古雅,漫射晨光,篆隶题跋,小楷诗句,朱红印章,静谧悠远,诗经诗意,超高细节。
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