Midjourney教程(绘画提示词)

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this image is approached as a cinematic close-up portrait of an otherworldly woman, observed rather than posed. a strikingly beautiful young woman is framed from the chest up, her head turned in a three-quarter angle toward the left edge of frame, her eyes gazing off-camera toward something far away. she does not look at the lens. long black hair is half-pinned in a loose high bun held by a single slender silver hairpin; the rest streams over one shoulder and whips sideways across her face in a strong mountain wind, several fine strands catching the light. a tiny pale jade drop earring hangs from her visible ear. her features are exquisite and calm: luminous clear skin, softly arched brows, elongated dark eyes, a straight nose, pale closed lips. her expression is distant, untouchable, faintly melancholic — the face of someone who has seen much and feels nothing here. no smile. no beauty-makeup heaviness. she wears a moonlight-white silk crossed-collar inner robe, layered beneath a sheer smoke-blue gauze outer robe. the collar line falls cleanly along her neck. the silver sash cord rests at her collarbone. the only light comes from a low warm sun at the right rear of frame, tracing a thin golden rim along her whipping hair, the silver hairpin, her ear, her jawline and the bridge of her nose. the shadow side of her face fills with cool blue-grey skylight, the transition soft but defined. the background is a soft, out-of-focus gradient of warm cloud gold at the upper right dissolving into cool blue-grey mountain haze — no readable objects, only atmosphere. the camera sits at eye level using an 85mm cinema lens. she is placed off-center, slightly right of frame, with empty space to the left where her gaze leads. the portrait feels like the camera has accidentally witnessed a private moment. the palette is restricted to moonlight white, smoke blue, silver grey, warm gold rim light and natural luminous skin. modern wuxia cinema, crisp digital cinematography, natural skin texture, no vintage grain, no soft-focus haze, no beauty filter. observe the light on her hair before observing her features. she does not notice the camera. she is looking past the clouds, past the mountains, past everything here. dawn wind on a high peak, clouds rolling far below. the warm sun finds her hair before it finds her face.
a vast ancient chinese city street at sunset, viewed from a slightly elevated oblique angle, never a top-down view. ultra-wide 24mm architectural photography, cinematic 21:9 panoramic composition. the broad earthen street runs diagonally from the lower left foreground toward the upper right distance, creating strong converging perspective lines that lead toward a distant traditional chinese city gate. the street is extremely wide, wide enough for ten horse carts to travel side by side. on both sides stand tall rammed-earth neighborhood walls, approximately twice the height of an adult man, topped with rows of dark gray roof tiles. behind the walls rise dense two-story traditional timber shop buildings, layered wooden eaves, weathered pillars, tiled roofs and hanging fabric shop signs. in the lower right foreground, a nearby wooden storefront and hanging shop banner partially enter the frame, occupying approximately 15 percent of the image. the central street and both rows of buildings remain clearly visible. at the far end of the street stands a distant ancient city gate, with faint mountain ridges beyond it. uneven wheel ruts cut through the dry earth road. dark rain stains and patches of moss mark the lower sections of the rammed-earth walls. peeling white lime plaster reveals rough brown earth underneath. coarse woven fabric banners hang from wooden poles. laundry stretches between buildings above the street, one corner lifted by the wind. small weeds grow between weathered roof tiles. late afternoon western sunlight enters from a low angle, casting long, sharply defined shadows diagonally toward the lower left foreground. hanging banners and laundry lean gently in the same direction. fine airborne dust catches the golden sunlight, individual dust particles visible in the illuminated air. rich amber sunlight, muted charcoal-gray roof tiles, warm aged brown timber, weathered ivory plaster walls, deep brown shadows. natural material textures, irregular aged surfaces, authentic traditional chinese architecture, restrained film grain, subtle halation, realistic photographic lighting, deep depth of field, sharp details throughout the frame, no artificial fill light, no modern objects, no modern buildings.